Systems of organisation 机构的系统

Ehsan Ul Haq 伊山·尤哈克

Systems of organisation 机构的系统

mix media 混合媒介

3rd Ural Industrial Biennale 第三届乌拉尔双年展

2015

*photo by Ehsan Ul Haq

 

*Ehsan准备了一只鹅和一个沙丘,但是最终未能实施。Ehsan将这看作是一个他更加投入进行创作的起点,Ehsan的工作和很多艺术家一样来自对限制的挑战本身,并探索综合日常物件所带来的美感,他尤其喜欢动物和人共处的空间,并在概念上将两者位置互换,承认动物的自然,承认人的失败。Ehsan的视角和艺术创作将为观者带来一种视觉上和感受上的惊喜,因为他的工作通常是非常接近生活现实种最易碎的部分,而又能表现出一种诗人般的气质。——李振华

乌拉尔/行为 Ural / Performance

乌拉尔/行为 Ural / Performance 颜磊 Yan Lei 乌拉尔工业双年展 Ural Industrial Biennale 2015 *摄影:九口走召 Photo by 9mouth
乌拉尔/行为 Ural / Performance
颜磊 Yan Lei
乌拉尔工业双年展 Ural Industrial Biennale
2015
*摄影:九口走召 Photo by 9mouth

颜磊——哥萨克骑兵

颜磊的項目是根据脑子里的哥萨克的概念中的图像形成的,这个概念通过委托李振华安排实施,并执行项目的制作:十来个哥萨克骑兵集中在一个六平米的房间里舞弄着马刀,这些哥萨克人同时做出的动作和马刀之间以及磕撞墙壁的声音,会传出这个空间,与展览现场的空间构成了一种空间和能量关系的不匹配。

项目的执行,通过策展人李振华的理解,哥萨克人舞刀的现场,空间局促,刀受到空间的限制。哥萨克人在回避限制的时候,在墙壁和窗台留下刀痕。几个哥萨克人共处一室,刀锋上下盘旋,最终与颜磊需要的图像一致,这一语境被年轻的哥萨克人激动的神情和自然的表演所取代。这个作品是一个来自表演者和被委托人实施的。这与颜磊在之前网络世界,或人与人的交流中,敏锐的发现图像一致。——李振华

乌拉尔/行为 Ural / Performance

Power

Salla Tykka

Power

1999, 16 mm film / video, 4 min 15 sec

Two persons are boxing, a young woman without a shirt and a big man. The black and white image and the timeless space make the atmosphere dream like though the hard action and sounds refer to real life and pain. Power is a statement against the power relations in our society but it can be seen as a symbolic battle for life and surveying through it.

Power

pic-me

Marc Lee

http://www.pic-me.com/

Pic-me invites you to virtually fly to the locations from where users send randomly selected posts to Instagram, thus creating another view on how the media handles posts on social networks. One might describe these posts – images or short videos accompanied by comments, tags and geolocalization – as a kind of digital small talk or personal conversation. Different than face to face conversations, these fleeting thoughts are accumulated and archived by governments, corporations, and research institutes and then transformed into everlasting stories as well. We can’t tell yet, what the consequences of archiving these often personal and emotional posts are in the long run.

The work by Marc Lee makes us think about the properties of the digital realm and what happens to the data that is generated by people all over the globe. The project, available online at http://www.picme. com, can be shown as an installation, in an interactive form.

Text by Sabine Himmelsbach

Untitled: Archive (migration ) 无题:文献(迁移)

http://www.knutasdam.net/

Untitled: Archive (migration), consists of a large body of images taken from an organic, growing archive collected from books, the Internet and other publicly accessible sources. It started as a way to look at how migration has been represented in images over the last couple of centuries, in order to work on the building-up of scenes in Åsdam’s films; but it grew and took on its own syntax and logic. The material ranges from the obvious and explanatory to images that are more surprising or tangential and associative. As the archive grew it gained a sub-theme of adaptation to change. An interrelationship among the pictures, presented independently of their original contexts, is formed where connections, similarities and differences arise across their varied origins. A snapshot cross-section of the recent history of change, conflict, the dramatic and the mundane — often within the same images.

无题:文献(迁移),是Knut选择的一个项目,这个项目涉及到3000张以上的图片,艺术家强调了选择这些图片的意义,以及那些图片可能解释其思考节点,如同一个巨大云图,几乎涉及了诸多今天关于文化、宗教、政治的冲突现场,而艺术家仅仅是提供这些图像吗?他将这些看作历史的重要时刻来保藏——特别响;特别近。这可能是认识伤痛以及共享情感现实的方式,当这些图片成为覆盖、阻挡视线的障碍时,也许会让人思考,现实是什么?我在哪里?所有这些图像都伴随着搜索引擎,提供了更复杂的关于迁移这一概念,计算机和行为方式的收集整理,也正在形成超越人类创造词汇的知识边界,Knut将这一情况呈现,如同一个有着网瘾的人,希望持续的通过这些图像激发思考关于现实社会的潜在危机或想象力。——李振华

Trilogy by Chris Paul Daniels

Daniels presents three short sequences documenting the specific viewpoints from hotel rooms where he stayed in Hong Kong, Chongqing and Macau.

These films attempt to process the rapid movements and energies from the immediate environments briefly observed by the artist.

The frenetic action of the metropolitan spaces rapidly shifts between day and night and expose the scale of the collective habitats within view. Trilogy by Chris Paul Daniels

The Random Darknet Shopper 自由黑暗网络买手

https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/r/

!MEDIENGRUPPE BITNIK

The Random Darknet Shopper

online / offline robotic project

2014

The Random Darknet Shopper is an automated online shopping bot which we provide with a budget of $100 in Bitcoins per week. Once a week the bot goes on shopping spree in the deep web where it randomly choses and purchases one item and has it mailed to us. The items are shown in the exhibition «The Darknet. From Memes to Onionland» at Kunst Halle St. Gallen. Each new object ads to a landscape of traded goods from the Darknet. The Random Darknet Shopper 自由黑暗网络买手